Contains scenes from many Universal Horror films, B-Horror and Sci-Fi and a comic release in the middle. NOTE: EXPERIMENTAL FILM! COMPUTER MAY HAVE STUFFED UP ENTIRE VIDEO! LETS HOPE NOT!!

A woman is asked to spy on a group of Nazi friends in South America. How far will she have to go to ingratiate herself with them?

A naive man is appointed to fill a vacancy in the US Senate. His plans promptly collide with political corruption, but he doesn't back down.

Following the conviction of her German father for treason against the U.S., Alicia Huberman takes to drink and men. She is approached by a government agent (T.R. Devlin) who asks her to spy on a group of her father's Nazi friends operating out of Rio de Janeiro. A romance develops between Alicia and Devlin, but she starts to get too involved in her work.

5. Menuet I-Menuet II 6. Gigue Before Glenn Gould and Angela Hewitt, there was Agi Jambor. Agi was brought back to Baltimore to start a new life by one of her admirers also a Bach pianist and Harpsichordist, the psychiatrist Joseph Stephens. He found her living under stressful conditions, with 30 cats in the outskirts of Philadelphia. And yet, Agi a Hungarian, had been a famous pianist in Europe, who immigrated to the US after the war. She had played Bach, and other composers with Mengelberg, Ormandy, and many other famous conductors. She refused to play under the baton of Alfred Cortot after the war, because she considered him as being anti-Semitic. She turned down von Dohnanyi, who offered to become her teacher at the Budapest Conservatory. On her 16th birthday, Albert Einstein came to her house and brought his violin. How did he play? I asked her once. She smiled and said politely: 'Not too well. The harder the piece, the worse it got'. After the passing of her first husband, she met an fell in love with the famous actor Claude Rains, and became Mrs. Rains. The marriage did not last long, because Claude was a severe alcoholic. When she arrived back in Baltimore (she had taught at the Peabody before going to Philadelphia) Joe rented for her an apartment in Bolton Hill, very close to his own home. She brought with her her old dilapidated Steinway, and her marimba. (She was also a marimba virtuoso, and played Bach Concertos on it. Her piano was in bad shape, and she was frail, so I suggested to Joe to get her an electronic piano, with a weighted touch. It would be even and easier to play. By miracle, she started playing, and in no time she started sounding like the great Agi Jambor of the 50s. Joe and I also bought electronic pianos, that she loved playing, coming to my house or Joe's on Sunday, and for 8 or so years we had a great pianist in our midst. Meanwhile Juan Bastos a superb painter helped taking care of her, and from a neglected old lonely lady, she blosso

"SOUL COAXIN' (Ame Câline)" - Released 1968. RAYMOND LEFEVRE, Raymond Lefèvre (born November 20th, 1929, Calais, Pas-de-Calais, France) was a French easy listening orchestra leader, arranger and composer. Born in Calais, France, Lefèvre is is best known for his 1968 theme "Soul Coaxin' (Ame Caline)", which became an international hit. He also wrote soundtracks for movies with Louis de Funès like La Soupe Aux Choux (1981) or the series of legendary Le Gendarme De Saint Tropez. During late 1950s and early 1960s he accompanied Dalida on most of her recordings (Bambino, Por Favor, Tu Peux Tout Faire de Moi, Quand on N'A Que l'Amour). He started his musical career in 1956 on the Barclay Records label. He was accepted at the Paris Conservatory at 17 years old. During the early 1950s he played the piano for the Franck Pourcel orchestra. In 1953 he played the piano at the Hilton Hotel in Los Angeles. He started his musical career in 1956 on the Barclay label and recorded his debut album in the same year. He worked in the French television programs Musicorama (1950s) and Palmarés des Chansons (1965, 1966, 1967) accompanying famous artists as Dalida, Claude Francois, Richard Anthony, with his own orchestra. His recording of "The Day the Rains Came" was a best seller in the United States in 1958. The song "Ame Caline" (Soul Coaxin') became an international hit in 1968 and "La La La (He Gives Me Love)" was a minor hit in 1968 in Canada and the United States. In 1969 his recording of "La Reine de Saba" (Queen of Sheba) became a big hit in Japan. Between 1972 and the early 2000s he made successful tours in Japan. He often worked on the soundtracks of Louis de Funès movies. Lefèvre conducted entries four times at the Eurovision Song Contest, three times for Monaco (in 1961, 1962, and 1963) and once for Luxembourg (in 1970). Lefèvre, who was married and had one son, died Seine-Port, France, 27th June 2008.

5. Burlesque 6. Scherzo 7. Gigue Before Glenn Gould and Angela Hewitt, there was Agi Jambor. Agi was brought back to Baltimore to start a new life by one of her admirers also a Bach pianist and Harpsichordist, the psychiatrist Joseph Stephens. He found her living under stressful conditions, with 30 cats in the outskirts of Philadelphia. And yet, Agi a Hungarian, had been a famous pianist in Europe, who immigrated to the US after the war. She had played Bach, and other composers with Mengelberg, Ormandy, and many other famous conductors. She refused to play under the baton of Alfred Cortot after the war, because she considered him as being anti-Semitic. She turned down von Dohnanyi, who offered to become her teacher at the Budapest Conservatory. On her 16th birthday, Albert Einstein came to her house and brought his violin. How did he play? I asked her once. She smiled and said politely: 'Not too well. The harder the piece, the worse it got'. After the passing of her first husband, she met an fell in love with the famous actor Claude Rains, and became Mrs. Rains. The marriage did not last long, because Claude was a severe alcoholic. When she arrived back in Baltimore (she had taught at the Peabody before going to Philadelphia) Joe rented for her an apartment in Bolton Hill, very close to his own home. She brought with her her old dilapidated Steinway, and her marimba. (She was also a marimba virtuoso, and played Bach Concertos on it. Her piano was in bad shape, and she was frail, so I suggested to Joe to get her an electronic piano, with a weighted touch. It would be even and easier to play. By miracle, she started playing, and in no time she started sounding like the great Agi Jambor of the 50s. Joe and I also bought electronic pianos, that she loved playing, coming to my house or Joe's on Sunday, and for 8 or so years we had a great pianist in our midst. Meanwhile Juan Bastos a superb painter helped taking care of her, and from a neglected old lonely lady, she blos

5. Burlesque 6. Scherzo 7. Gigue Before Glenn Gould and Angela Hewitt, there was Agi Jambor. Agi was brought back to Baltimore to start a new life by one of her admirers also a Bach pianist and Harpsichordist, the psychiatrist Joseph Stephens. He found her living under stressful conditions, with 30 cats in the outskirts of Philadelphia. And yet, Agi a Hungarian, had been a famous pianist in Europe, who immigrated to the US after the war. She had played Bach, and other composers with Mengelberg, Ormandy, and many other famous conductors. She refused to play under the baton of Alfred Cortot after the war, because she considered him as being anti-Semitic. She turned down von Dohnanyi, who offered to become her teacher at the Budapest Conservatory. On her 16th birthday, Albert Einstein came to her house and brought his violin. How did he play? I asked her once. She smiled and said politely: 'Not too well. The harder the piece, the worse it got'. After the passing of her first husband, she met an fell in love with the famous actor Claude Rains, and became Mrs. Rains. The marriage did not last long, because Claude was a severe alcoholic. When she arrived back in Baltimore (she had taught at the Peabody before going to Philadelphia) Joe rented for her an apartment in Bolton Hill, very close to his own home. She brought with her her old dilapidated Steinway, and her marimba. (She was also a marimba virtuoso, and played Bach Concertos on it. Her piano was in bad shape, and she was frail, so I suggested to Joe to get her an electronic piano, with a weighted touch. It would be even and easier to play. By miracle, she started playing, and in no time she started sounding like the great Agi Jambor of the 50s. Joe and I also bought electronic pianos, that she loved playing, coming to my house or Joe's on Sunday, and for 8 or so years we had a great pianist in our midst. Meanwhile Juan Bastos a superb painter helped taking care of her, and from a neglected old lonely lady, she blos

1. Fantaisia 2. Allemande 3. Courante 4. Sarabande. Part 1-Fantasy - Agi Jambor, piano Before Glenn Gould and Angela Hewitt, there was Agi Jambor. Agi was brought back to Baltimore to start a new life by one of her admirers also a Bach pianist and Harpsichordist, the psychiatrist Joseph Stephens. He found her living under stressful conditions, with 30 cats in the outskirts of Philadelphia. And yet, Agi a Hungarian, had been a famous pianist in Europe, who immigrated to the US after the war. She had played Bach, and other composers with Mengelberg, Ormandy, and many other famous conductors. She refused to play under the baton of Alfred Cortot after the war, because she considered him as being anti-Semitic. She turned down von Dohnanyi, who offered to become her teacher at the Budapest Conservatory. On her 16th birthday, Albert Einstein came to her house and brought his violin. How did he play? I asked her once. She smiled and said politely: 'Not too well. The harder the piece, the worse it got'. After the passing of her first husband, she met an fell in love with the famous actor Claude Rains, and became Mrs. Rains. The marriage did not last long, because Claude was a severe alcoholic. When she arrived back in Baltimore (she had taught at the Peabody before going to Philadelphia) Joe rented for her an apartment in Bolton Hill, very close to his own home. She brought with her her old dilapidated Steinway, and her marimba. (She was also a marimba virtuoso, and played Bach Concertos on it. Her piano was in bad shape, and she was frail, so I suggested to Joe to get her an electronic piano, with a weighted touch. It would be even and easier to play. By miracle, she started playing, and in no time she started sounding like the great Agi Jambor of the 50s. Joe and I also bought electronic pianos, that she loved playing, coming to my house or Joe's on Sunday, and for 8 or so years we had a great pianist in our midst. Meanwhile Juan Bastos a superb painter helped taking care

Just me finding something to do after filming LL 103. I decided to ramble about my many versions of PotO. The versions are (in order of appearance): Dario Argento's Phantom of the Opera w/ Julian Sands, Hammer Horror's PotO w/ Herbert Lom, Andrew Lloyd Webber's PotO w/ Gerard Butler, 1940's Universal PotO w/ Claude Rains, MGM PotO w/ Robert Englund, Arthur Kopit's teleplay miniseries PotO w/ Charles Dance, 1920's Universal PotO w/ Lon Chaney Sr. ...I almost seem drunk in this. Drunk or nearly blind. I wasn't wearing my glasses of course, but I still don't know why I didn't focus on the camera well. Must have been fatigue. It was around one in the morning...

Peaceful shaded streets, serene swimming holes, warm Sunday afternoons, and the clip-clop of horse-and-buggy of a quaint turn-of-the-century small town conceal human lives twisted by cruelty, murder, and madness. Highlighted by James Wong Howe's sunny-yet-haunting cinematography and Erich Wolfgang Korngold's achingly emotional score, Robert Cummings, Ann Sheridan, Betty Field, Charles Coburn, and Claude Rains give memorable, painfully human performances--and Ronald Reagan's portrayal of Drake McHugh, a cheerful ne'er-do-well shattered by tragedy, has been hailed as the best of his career. Starring Ann Sheridan as Randy Monaghan Robert Cummings as Parris Mitchell Ronald Reagan as Drake McHugh Betty Field as Cassandra Tower Charles Coburn as Dr. Henry Gordon Claude Rains as Dr. Alexander Tower Judith Anderson as Mrs. Harriet Gordon Nancy Coleman as Louise Gordon Kaaren Verne as Elise Sandor Maria Ouspenskaya as Madame von Eln Harry Davenport as Colonel Skeffington Ernest Cossart as Pa Monaghan Ilka Grüning as Anna Pat Moriarity as Tod Monaghan Minor Watson as Sam Winters Ludwig Stössel as Professor Berdorff Erwin Kalser as Mr. Sandor Egon Brecher as Dr. Candell Ann E. Todd as young Randy Scotty Beckett as young Parris Douglas Croft as young Drake Mary Thomas as young Cassandra Julie Warren as Poppy Ross Mary Scott as Jinny Ross Based on the novel by Henry Bellamann Written by Casey Robinson Directed by Sam Wood

Peaceful shaded streets, serene swimming holes, warm Sunday afternoons, and the clip-clop of horse-and-buggy of a quaint turn-of-the-century small town conceal human lives twisted by cruelty, murder, and madness. Highlighted by James Wong Howe's sunny-yet-haunting cinematography and Erich Wolfgang Korngold's achingly emotional score, Robert Cummings, Ann Sheridan, Betty Field, Charles Coburn, and Claude Rains give memorable, painfully human performances--and Ronald Reagan's portrayal of Drake McHugh, a cheerful ne'er-do-well shattered by tragedy, has been hailed as the best of his career. Starring Ann Sheridan as Randy Monaghan Robert Cummings as Parris Mitchell Ronald Reagan as Drake McHugh Betty Field as Cassandra Tower Charles Coburn as Dr. Henry Gordon Claude Rains as Dr. Alexander Tower Judith Anderson as Mrs. Harriet Gordon Nancy Coleman as Louise Gordon Kaaren Verne as Elise Sandor Maria Ouspenskaya as Madame von Eln Harry Davenport as Colonel Skeffington Ernest Cossart as Pa Monaghan Ilka Grüning as Anna Pat Moriarity as Tod Monaghan Minor Watson as Sam Winters Ludwig Stössel as Professor Berdorff Erwin Kalser as Mr. Sandor Egon Brecher as Dr. Candell Ann E. Todd as young Randy Scotty Beckett as young Parris Douglas Croft as young Drake Mary Thomas as young Cassandra Julie Warren as Poppy Ross Mary Scott as Jinny Ross Based on the novel by Henry Bellamann Written by Casey Robinson Directed by Sam Wood

Peaceful shaded streets, serene swimming holes, warm Sunday afternoons, and the clip-clop of horse-and-buggy of a quaint turn-of-the-century small town conceal human lives twisted by cruelty, murder, and madness. Highlighted by James Wong Howe's sunny-yet-haunting cinematography and Erich Wolfgang Korngold's achingly emotional score, Robert Cummings, Ann Sheridan, Betty Field, Charles Coburn, and Claude Rains give memorable, painfully human performances--and Ronald Reagan's portrayal of Drake McHugh, a cheerful ne'er-do-well shattered by tragedy, has been hailed as the best of his career. Starring Ann Sheridan as Randy Monaghan Robert Cummings as Parris Mitchell Ronald Reagan as Drake McHugh Betty Field as Cassandra Tower Charles Coburn as Dr. Henry Gordon Claude Rains as Dr. Alexander Tower Judith Anderson as Mrs. Harriet Gordon Nancy Coleman as Louise Gordon Kaaren Verne as Elise Sandor Maria Ouspenskaya as Madame von Eln Harry Davenport as Colonel Skeffington Ernest Cossart as Pa Monaghan Ilka Grüning as Anna Pat Moriarity as Tod Monaghan Minor Watson as Sam Winters Ludwig Stössel as Professor Berdorff Erwin Kalser as Mr. Sandor Egon Brecher as Dr. Candell Ann E. Todd as young Randy Scotty Beckett as young Parris Douglas Croft as young Drake Mary Thomas as young Cassandra Julie Warren as Poppy Ross Mary Scott as Jinny Ross Based on the novel by Henry Bellamann Written by Casey Robinson Directed by Sam Wood

Peaceful shaded streets, serene swimming holes, warm Sunday afternoons, and the clip-clop of horse-and-buggy of a quaint turn-of-the-century small town conceal human lives twisted by cruelty, murder, and madness. Highlighted by James Wong Howe's sunny-yet-haunting cinematography and Erich Wolfgang Korngold's achingly emotional score, Robert Cummings, Ann Sheridan, Betty Field, Charles Coburn, and Claude Rains give memorable, painfully human performances--and Ronald Reagan's portrayal of Drake McHugh, a cheerful ne'er-do-well shattered by tragedy, has been hailed as the best of his career. Starring Ann Sheridan as Randy Monaghan Robert Cummings as Parris Mitchell Ronald Reagan as Drake McHugh Betty Field as Cassandra Tower Charles Coburn as Dr. Henry Gordon Claude Rains as Dr. Alexander Tower Judith Anderson as Mrs. Harriet Gordon Nancy Coleman as Louise Gordon Kaaren Verne as Elise Sandor Maria Ouspenskaya as Madame von Eln Harry Davenport as Colonel Skeffington Ernest Cossart as Pa Monaghan Ilka Grüning as Anna Pat Moriarity as Tod Monaghan Minor Watson as Sam Winters Ludwig Stössel as Professor Berdorff Erwin Kalser as Mr. Sandor Egon Brecher as Dr. Candell Ann E. Todd as young Randy Scotty Beckett as young Parris Douglas Croft as young Drake Mary Thomas as young Cassandra Julie Warren as Poppy Ross Mary Scott as Jinny Ross Based on the novel by Henry Bellamann Written by Casey Robinson Directed by Sam Wood

Peaceful shaded streets, serene swimming holes, warm Sunday afternoons, and the clip-clop of horse-and-buggy of a quaint turn-of-the-century small town conceal human lives twisted by cruelty, murder, and madness. Highlighted by James Wong Howe's sunny-yet-haunting cinematography and Erich Wolfgang Korngold's achingly emotional score, Robert Cummings, Ann Sheridan, Betty Field, Charles Coburn, and Claude Rains give memorable, painfully human performances--and Ronald Reagan's portrayal of Drake McHugh, a cheerful ne'er-do-well shattered by tragedy, has been hailed as the best of his career. Starring Ann Sheridan as Randy Monaghan Robert Cummings as Parris Mitchell Ronald Reagan as Drake McHugh Betty Field as Cassandra Tower Charles Coburn as Dr. Henry Gordon Claude Rains as Dr. Alexander Tower Judith Anderson as Mrs. Harriet Gordon Nancy Coleman as Louise Gordon Kaaren Verne as Elise Sandor Maria Ouspenskaya as Madame von Eln Harry Davenport as Colonel Skeffington Ernest Cossart as Pa Monaghan Ilka Grüning as Anna Pat Moriarity as Tod Monaghan Minor Watson as Sam Winters Ludwig Stössel as Professor Berdorff Erwin Kalser as Mr. Sandor Egon Brecher as Dr. Candell Ann E. Todd as young Randy Scotty Beckett as young Parris Douglas Croft as young Drake Mary Thomas as young Cassandra Julie Warren as Poppy Ross Mary Scott as Jinny Ross Based on the novel by Henry Bellamann Written by Casey Robinson Directed by Sam Wood

Peaceful shaded streets, serene swimming holes, warm Sunday afternoons, and the clip-clop of horse-and-buggy of a quaint turn-of-the-century small town conceal human lives twisted by cruelty, murder, and madness. Highlighted by James Wong Howe's sunny-yet-haunting cinematography and Erich Wolfgang Korngold's achingly emotional score, Robert Cummings, Ann Sheridan, Betty Field, Charles Coburn, and Claude Rains give memorable, painfully human performances--and Ronald Reagan's portrayal of Drake McHugh, a cheerful ne'er-do-well shattered by tragedy, has been hailed as the best of his career. Starring Ann Sheridan as Randy Monaghan Robert Cummings as Parris Mitchell Ronald Reagan as Drake McHugh Betty Field as Cassandra Tower Charles Coburn as Dr. Henry Gordon Claude Rains as Dr. Alexander Tower Judith Anderson as Mrs. Harriet Gordon Nancy Coleman as Louise Gordon Kaaren Verne as Elise Sandor Maria Ouspenskaya as Madame von Eln Harry Davenport as Colonel Skeffington Ernest Cossart as Pa Monaghan Ilka Grüning as Anna Pat Moriarity as Tod Monaghan Minor Watson as Sam Winters Ludwig Stössel as Professor Berdorff Erwin Kalser as Mr. Sandor Egon Brecher as Dr. Candell Ann E. Todd as young Randy Scotty Beckett as young Parris Douglas Croft as young Drake Mary Thomas as young Cassandra Julie Warren as Poppy Ross Mary Scott as Jinny Ross Based on the novel by Henry Bellamann Written by Casey Robinson Directed by Sam Wood

Peaceful shaded streets, serene swimming holes, warm Sunday afternoons, and the clip-clop of horse-and-buggy of a quaint turn-of-the-century small town conceal human lives twisted by cruelty, murder, and madness. Highlighted by James Wong Howe's sunny-yet-haunting cinematography and Erich Wolfgang Korngold's achingly emotional score, Robert Cummings, Ann Sheridan, Betty Field, Charles Coburn, and Claude Rains give memorable, painfully human performances--and Ronald Reagan's portrayal of Drake McHugh, a cheerful ne'er-do-well shattered by tragedy, has been hailed as the best of his career. Starring Ann Sheridan as Randy Monaghan Robert Cummings as Parris Mitchell Ronald Reagan as Drake McHugh Betty Field as Cassandra Tower Charles Coburn as Dr. Henry Gordon Claude Rains as Dr. Alexander Tower Judith Anderson as Mrs. Harriet Gordon Nancy Coleman as Louise Gordon Kaaren Verne as Elise Sandor Maria Ouspenskaya as Madame von Eln Harry Davenport as Colonel Skeffington Ernest Cossart as Pa Monaghan Ilka Grüning as Anna Pat Moriarity as Tod Monaghan Minor Watson as Sam Winters Ludwig Stössel as Professor Berdorff Erwin Kalser as Mr. Sandor Egon Brecher as Dr. Candell Ann E. Todd as young Randy Scotty Beckett as young Parris Douglas Croft as young Drake Mary Thomas as young Cassandra Julie Warren as Poppy Ross Mary Scott as Jinny Ross Based on the novel by Henry Bellamann Written by Casey Robinson Directed by Sam Wood

Peaceful shaded streets, serene swimming holes, warm Sunday afternoons, and the clip-clop of horse-and-buggy of a quaint turn-of-the-century small town conceal human lives twisted by cruelty, murder, and madness. Highlighted by James Wong Howe's sunny-yet-haunting cinematography and Erich Wolfgang Korngold's achingly emotional score, Robert Cummings, Ann Sheridan, Betty Field, Charles Coburn, and Claude Rains give memorable, painfully human performances--and Ronald Reagan's portrayal of Drake McHugh, a cheerful ne'er-do-well shattered by tragedy, has been hailed as the best of his career. Starring Ann Sheridan as Randy Monaghan Robert Cummings as Parris Mitchell Ronald Reagan as Drake McHugh Betty Field as Cassandra Tower Charles Coburn as Dr. Henry Gordon Claude Rains as Dr. Alexander Tower Judith Anderson as Mrs. Harriet Gordon Nancy Coleman as Louise Gordon Kaaren Verne as Elise Sandor Maria Ouspenskaya as Madame von Eln Harry Davenport as Colonel Skeffington Ernest Cossart as Pa Monaghan Ilka Grüning as Anna Pat Moriarity as Tod Monaghan Minor Watson as Sam Winters Ludwig Stössel as Professor Berdorff Erwin Kalser as Mr. Sandor Egon Brecher as Dr. Candell Ann E. Todd as young Randy Scotty Beckett as young Parris Douglas Croft as young Drake Mary Thomas as young Cassandra Julie Warren as Poppy Ross Mary Scott as Jinny Ross Based on the novel by Henry Bellamann Written by Casey Robinson Directed by Sam Wood

Peaceful shaded streets, serene swimming holes, warm Sunday afternoons, and the clip-clop of horse-and-buggy of a quaint turn-of-the-century small town conceal human lives twisted by cruelty, murder, and madness. Highlighted by James Wong Howe's sunny-yet-haunting cinematography and Erich Wolfgang Korngold's achingly emotional score, Robert Cummings, Ann Sheridan, Betty Field, Charles Coburn, and Claude Rains give memorable, painfully human performances--and Ronald Reagan's portrayal of Drake McHugh, a cheerful ne'er-do-well shattered by tragedy, has been hailed as the best of his career. Starring Ann Sheridan as Randy Monaghan Robert Cummings as Parris Mitchell Ronald Reagan as Drake McHugh Betty Field as Cassandra Tower Charles Coburn as Dr. Henry Gordon Claude Rains as Dr. Alexander Tower Judith Anderson as Mrs. Harriet Gordon Nancy Coleman as Louise Gordon Kaaren Verne as Elise Sandor Maria Ouspenskaya as Madame von Eln Harry Davenport as Colonel Skeffington Ernest Cossart as Pa Monaghan Ilka Grüning as Anna Pat Moriarity as Tod Monaghan Minor Watson as Sam Winters Ludwig Stössel as Professor Berdorff Erwin Kalser as Mr. Sandor Egon Brecher as Dr. Candell Ann E. Todd as young Randy Scotty Beckett as young Parris Douglas Croft as young Drake Mary Thomas as young Cassandra Julie Warren as Poppy Ross Mary Scott as Jinny Ross Based on the novel by Henry Bellamann Written by Casey Robinson Directed by Sam Wood

TCM Guest Programmer Cybill Shepherd joins Robert Osborne to introduce Notorious, 1946.

U.S. Secret agent T.R. Devlin (Cary Grant) discovers a suspect bottle in the wine cellar in Notorious (1946).

U.S. agent Cary Grant recruits Ingrid Bergman to infiltrate a Nazi spy ring in Brazil in Alfred Hitchcock's Notorious (1946).

Alicia Huberman (Ingrid Bergman) steals a key from her husband (Claude Rains) without him noticing in Notorious (1946).

This video has been sitting in the WMM workshop for ages, wondering if it would ever see the light of day. And it has! I have wanted to finish it for a long time, but there were lots of problems and discouragements. And today, I (finally!) sat down, (finally!) solved the problems, and (finally!) finished it. So, three cheers for me! (finally!) :D As I was saying, gentlemen... I'm either dead right or I'm crazy. -Senator Jeff Smith In his deepest despair, Jeff remembers how Senator Paine used to be. In the end, he realizes that it is Jim Taylor who is behind all the lies. . Note: The fades are supposed to imply that the character is thinking or remembering something. Not all of them, but most. At around 3:04, you might wonder what Jeff says to Jim Taylor. Liar. I really wanted to put audio in on that part, but alas, I still dont know how. :( Yes, I know. It couldve been better. Lots better. *sigh* DISCLAIMER: I do not own the film or the music. This video was made for entertainment purposes only. No profit was made off this video. No copyright infringement intended. Im sorry I put Susan Paine in there. The reason why I put that clip in was to catch Senator Paines smile. So, just ignore Susan. Yes shes annoying, but after all, she is just Susan Paine in the Neck. Ouch!

Part one of the Warner Bros. annual blooper reel for 1938. Featuring Bette Davis, Errol Flynn, Henry Fonda, Kay Francis, Carole Lombard, Paul Muni, Pat O'Brien, Eugene Pallette, Claude Rains, Basil Rathbone, Ronald Reagan, Ann Sheridan, etc.