Gilda(1946) Staring Rita Hayworth

Gilda(1946) Staring Rita Hayworth

This is Rita Hayworth as Gilda in the second famous scene of the movie.

This is Rita Hayworth as Gilda, first famous scene.

some of my favorite old actress from the 30s and 50s

Movie trailer for Gilda, 1946, Rita Hayworth & Glen Ford

This song didn't really grab me but I can see why people fell in love with Rita Hayworth. I just plastered the songs with shots of her.

The Lady From Shanghai

Enterate que eventos y acontecimientos importantes sucedieron en estas fechas.

Joan Crawford & Rita Hayworth 1940 - Susan and God

There is so much we love about classic Hollywood, but perhaps one of the greatest things we love is the musicals. Yes the Talkies brought us Fred & Ginger, then the Golden Age and Post-War Hollywood brought us a handful of classic musicals with show-stopping numbers. Gene Kelly, Judy Garland, Mickey Rooney and Rita Hayworth (to name a few) were the greatest of the musical talents. So here is my tribute to the dancing stars of a time gone by. the song is 'I Wanna Dance With Somebody' sung by the legendary Whitney Houston.

. Due regine, due dive: proprio pensando alla loro caratura, e alla grande stagione degli Anni Cinquanta, Andrea Mingardi ha scritto Amiche mai, ispirandosi ai grandi film di Hollywood. Si è immaginato due rivali di serie A, alla Rita Hayworth e Marilyn Monroe, che in un loro «Eva contro Eva» avrebbero probabilmente girato separate, per non contaminare i rispettivi troni. Ma lamore, qui, dallOlimpo trascina a terra le due dame, che fremono per lo stesso uomo e sono dunque in qualche modo legate: però, «Di una cosa son sicura sai, amiche mai».

In honor of what would have been her 90th birthday, I've put together some of the photos of Rita that I've colorized showing some of the fashions and styles of her films as well as of the time (mostly the 40s) to Frank Sinatra singing "They Can't Take That Away From Me". Rita was proclaimed "The Best Dressed Girl In Hollywood" in 1940 by Look magazine, and while away from work she dressed very casually, in public and in movies she was almost always glammed up gorgeously in the latest fashions. There will be more videos to come featuring more pictures of Rita that I have colorized; I like to think of it as "The Love Goddess Project". Enjoy! DISCLAIMER: All photos, stills and music are copyrighted to their respective owners. No infringement intended.

i do not own the pictures or the song!

Rita Hayworth Birthday Tribute Disclaimer: I don't own these pictures & I don't not own the song either.

This is a 90th Birthday tribute for the lovely and always remembered Miss Rita Hayworth, born October 17th in 1918! Music: Theme from "Out of Africa" I included Orson Welles, Shirley MacLaine and Leslie Caron talking about Rita. Leslie Caron is talking about Rita and Fred Astaire in French: "She was ravishing. He had an eye for beauty and she had ideal proportions - her figure, her long legs, her oh so beautiful hands. She had true elegance, the same he had. When you see them dancing together you get the impression that he was really in love with her."

Bellezza e femminilità. Un'epoca in un'immagine! Beauty and femininity. An era in a picture! Alcune di queste attrici hanno lasciato un segno profondo...altre sono divenute icone immortali.

BCB Band sings Rye Whiskey by Tex Ritter. Singing cowboy Tex Ritter stood as one of the biggest names in country music throughout the postwar era, thanks to a diverse career that led him everywhere from the Broadway stage to the political arena. He was born Maurice Woodward Ritter in Marvaul, TX, on January 12, 1907, and grew up on a ranch in Beaumont. After graduating at the top of his high school class, he majored in law at the University of Texas. During college, however, he was bitten by the acting bug and moved to New York in 1928 to join a theatrical troupe. After a few years of struggle, he briefly returned to school, only to leave again to pursue stardom. Ritter was playing cowboy songs on the radio when he returned to New York in 1931 to act in the Broadway production Green Grow the Lilacs; during scene changes, he also performed on his guitar. Thanks to his success on the stage, he began hosting radio programs like Tex Ritter's Campfire and Cowboy Tom's Roundup before entering the studio with producer Art Satherley in 1933, where his deep, lived-in voice graced songs like "Rye Whiskey." He caught the attention of Hollywood producer Edward Finney, who was searching for a cowboy singer in the mold of the highly successful Gene Autry and was tapped to star in the 1936 Western Song of the Gringo. Over the next two years, Ritter starred in a dozen films, including 1937's Trouble in Texas (co-starring a young Rita Hayworth), before Finney's studio, Grand National Pictures, folded. Ritter then switched to Monogram Studios, for whom he made some 20 Westerns, including 1940's Take Me Back to Oklahoma with co-star Bob Wills; work at Columbia and Universal followed, and by the time of his movie swan song, 1945's The Texas Rangers, he had appeared in a total of 85 films. As Ritter's Hollywood career went into decline, his music career began to blossom, and in 1942, he became the first country artist signed to Capitol Records, where he recorded everything from traditio

Sinatra sings Stella By Starlight. Clip with Greta Garbo, Rita Hayworth, Marilyn Monroe, Grace Kelly, Montgomery Clift, Hedy Lamarr, Fred Astaire, James Stewart, Burt Lancaster, Ava Gardner, Elizabeth Taylor, Audrey Hepburn, Humphrey Bogart, Ava Gardner, Ingrid Bergman, Bette Davis, Barbara Stanwick

2 note: Colonna sonora del film Sangue e arena (1941) un film di Rouben Mamoulian con Rita Hayworth, Anthony Quinn, Linda Darnell, Tyrone Power (remake del film omonimo del 1922 con Rodolfo Valentino e Nita Naldi). Il brano di Vincente Gomes è stato inciso due volte da Mina, per l'album Salomè (1981) e per Mina 25 (1983) con leggere differenze; l'arrangiamento è di Victor Bach e in entrambe le versioni c'è la partecipazione alla chitarra classica di Angel Pato Garcia; nella prima incisione al basso c'è Bruno Crovetto, al suo posto nell'incisione del 1983 è presente Massimo Moriconi. Nell'album Salomè il brano è accreditato a Pinchi-Gomes, in Mina 25 a Gomes-Tuvim-Pinchi Voce sensualità passione Anna Mina Mazzini

I was never able to recite a fable That would make the party bright; Sitting at the table I was never able To become the host's delight; But now you've given me my after dinner story, I'll just describe you as you are in all your glory. [Chorus:] You were never lovelier, You were never so fair, Dreams were never lovelier, Pardon me if I stare. Down the sky the moonbeams fly to light your face; I can only say they chose the proper place. You were never lovelier, And to coin a new phrase; I was never luckier in my palmiest days. Make a note, and you can quote me, Honor bright, You were never lovelier than you are tonight. [Chorus]

Peter Fonda, James Woods, Edward James Olmos, Bridget Fonda and Shirley McLaine on Rita Hayworth.

PUT THE BLAME ON MAME From the film "Gilda" (1946) (Allan Roberts / Doris Fisher) Anita Ellis (Film Soundtrack) - 1946 Nat Gonella & His Georgians (vocal: Nat Gonella) - 1946 When Mrs. O'Leary's cow kicked the lantern In Chicago town They say that started the fire That burned Chicago down That's the story that went around But here's the real low-down Put the blame on Mame, boys Put the blame on Mame Mame kissed a buyer from out of town That kiss burned Chicago down So you can put the blame on Mame, boys Put the blame on Mame When they had the earthquake in San Francisco Back in nineteen-six They said that ol' Mother Nature Was up to her old tricks That's the story that went around But here's the real low-down Put the blame on Mame, boys Put the blame on Mame One night she started to shimmy-shake That brought on the Frisco quakes So you can put the blame on Mame, boys Put the blame on Mame ***** As recorded by Anita Ellis, for the singing voice of Rita Hayworth in the film "Gilda": When Mrs. O'Leary's cow Kicked the lantern in Chicago town They say that started the fire That burned Chicago down That's the story that went around But here's the real low-down Put the blame on Mame, boys Put the blame on Mame Mame kissed a buyer from out of town That kiss burned Chicago down So you can put the blame on Mame, boys Put the blame on Mame Remember the blizzard, back in Manhattan In eighteen-eighty-six They say that traffic was tied up And folks were in a fix That's the story that went around But here's the real low-down Put the blame on Mame, boys Put the blame on Mame Mame gave a chump such an ice-cold "No" For seven days they shovelled snow So you can put the blame on Mame, boys Put the blame on Mame When they had the earthquake in San Francisco Back in nineteen-six They said that Mother Nature Was up to her old tricks That's the story that went around But here's the real low-down Put the blame on Mame, boys Put the blame on Mame One night she started to shim and shake Tha

Y pensar que en España se escandalizó la censura, sobretodo la eclesiástica, por el mini streptease del guante!

Letra: Strike a pose Strike a pose Vogue, vogue, vogue Vogue, vogue, vogue Look around everywhere you turn is heartache It's everywhere that you go (look around) You try everything you can to escape The pain of life that you know (life that you know) When all else fails and you long to be Something better than you are today I know a place where you can get away It's called a dance floor, and here's what it's for, so [Chorus:] Come on, vogue Let your body move to the music (move to the music) Hey, hey, hey Come on, vogue Let your body go with the flow (go with the flow) You know you can do it All you need is your own imagination So use it that's what it's for (that's what it's for) Go inside, for your finest inspiration Your dreams will open the door (open up the door) It makes no difference if you're black or white If you're a boy or a girl If the music's pumping it will give you new life You're a superstar, yes, that's what you are, you know it [chorus, substituting "groove" for "move"] Beauty's where you find it Not just where you bump and grind it Soul is in the musical That's where I feel so beautiful Magical, life's a ball So get up on the dance floor [chorus] Vogue, (Vogue) Beauty's where you find it (move to the music) Vogue, (Vogue) Beauty's where you find it (go with the flow) Greta Garbo, and Monroe Deitrich and DiMaggio Marlon Brando, Jimmy Dean On the cover of a magazine Grace Kelly; Harlow, Jean Picture of a beauty queen Gene Kelly, Fred Astaire Ginger Rodgers, dance on air They had style, they had grace Rita Hayworth gave good face Lauren, Katherine, Lana too Bette Davis, we love you Ladies with an attitude Fellows that were in the mood Don't just stand there, let's get to it Strike a pose, there's nothing to it Vogue, vogue Oooh, you've got to Let your body move to the music Oooh, you've got to just Let your body go with the flow Oooh, you've got to Vogue